Bandcamp Updates

Bandcamp is a platform for artistic expression, and all manner of variance in experience and identity, including gender and sexuality, is welcome here. We support our LGBT+ users and staff, and we stand against any person or group that would see them further marginalized. This includes the current U.S. administration, and its recent capricious declaration that transgender troops will no longer be able to serve in the military. That this announcement was motivated in part to help fund the border wall exposes it as part of the administration’s cynical, discriminatory agenda.

In response, we will be donating 100% of our share of every sale today, August 4th (from midnight to midnight Pacific Time) to the Transgender Law Center, a nonprofit organization that works tirelessly to change law, policy, and culture for the more equitable. TLC does critical policy advocacy and litigation on multiple fronts, fights for healthcare for trans veterans, defends incarcerated trans people from abuse in prisons and detention centers, supports trans immigrants, and helps trans youth tell their stories and build communities.

When an Executive Order was issued earlier this year barring immigrants and refugees from seven Middle Eastern countries from entering the United States, we held a wildly successful fundraiser for the ACLU. We hope you’ll join us in now doing the same in support of trans rights. To participate as a fan, simply purchase music through Bandcamp today and we’ll donate our share of the sale to TLC. To participate as an artist or label, send some or all of your share of today’s sales directly to TLC here, and let us know your plan in the comments below so that we can help spread the word. Since our announcement, over 200 bands and labels have joined us in donating their share of proceeds to TLC. You can see that list here.

—Bandcamp Staff

(Update: Over the course of our fundraiser for the Transgender Law Center, fans bought nearly $700,000 worth of music. Our share, which is ~12% of that amount, was donated to the TLC.)

Below, you’ll find a sampling of some of the music made by trans and gender non-conforming artists on Bandcamp. We hope that as you listen to these albums, you’ll discover some great new artists from all walks of life, who share their experiences in song.

Pandemix’s Poetic Punk Politics
Vocalist Shannon Thompson explains how she uses the genre’s tropes as a jumping-off point for her struggle to understand the world.

Glasgow’s Poisonous Relationship is an Unlikely Dance Music Genius
Jamie Crewe is an artist and filmmaker who explores gender, sexuality, mental health, and politics through surprisingly personal and poetic dance music.

Tica Douglas’s Theology of Uncertainty
The Master of Divinity student talks about how theological studies informs their identity and their haunting new record.

How Oakland’s Experimental Scene Became Browner, Queerer, and More Femme
Conscious efforts to be more inclusive have opened up space in the Bay Area noise and experimental scene for artists like Kohinoorgasm, Spellling, and Beast Nest.

Popper Burns Preach to the Punk Rock Choir
The Austin queercore/no-wave group create a drag world “bigger than an idea” where their audience can feel empowered.

TRNSGNDR/VHS and the Art of Confrontation
The Baltimore artist uses harsh noise to question accepted norms.

Theda Hammel on Giving Sondheim the Synth Treatment
On her EP SondHamm, the self-described “major trans celeb” turns classic Broadway showtunes into synth odysseys.

Vocaloids: Our Friends Electric
Computer-generated vocalists are helping artists like transgender musician Jamie Paige discover their voice.

Mykki Blanco Rips Up the Rule Book
Her new record finds her pivoting from wistful longing to fire-breathing on a dime.

Art-Pop Genius Oblivia on Martyrdom, Sainthood, and Stripping to Cat Power
Armed with a voice modulator and a drum machine, Local Honey, the trans femme performance artist behind Oblivia, says that her music aims to weaponize femininity to heal the wounds of patriarchy.

Tyler Holmes, San Cha, and Vainhein Imagine Experimental Queer Utopias
Three performance artists and musicians found inspiration to survive—and thrive—in their own ways, together, by channeling their rage to build something beautiful.

Hi Bias: Interview With Forced into Femininity
The latest tape by Forced Into Femininity (Chicago-based musician and performance artist Jill Flanagan), is only 10 minutes long, but its five songs pack a ton of power.

Big Ups: HIRS’ Queer Thrash Fury is Taking Over America
The Trans Girl Take Over tour takes the Philly collective to some unexpected places. Meet some of the bands they’re excited to share the stage with.

Album of the Day: ANOHNI, Paradise
On Paradise, ANOHNI imagines a utopia free of violence and masculine authority.

Album of the Day: Sweeping Exits, Glitter and Blood
The Portland glam-rock group switch up the power dynamics of horror.

Album of the Day: Aye Nako, Silver Haze
On Silver Haze, Aye Nako lulls listeners into comfort before turning the room upside down.

We are very happy to share that Chad Dickerson has joined Bandcamp as an advisor! Chad’s many years of experience running Etsy (one of the largest and most successful global marketplaces) will be hugely valuable to us as we continue to make Bandcamp the best platform for artists and fans around the world. Furthermore, his passion for music and appreciation of our artist-friendly model make him uniquely suited to help us grow Bandcamp in a thoughtful and sustainable way. Beyond that, Chad is a great human being and someone we look forward to spending more time with as a team. We could not be happier to have him on board!

Check out Chad’s announcement (and his kind words!) here.

Thanks to everyone who stood with immigrants and refugees by joining today’s fundraiser for the ACLU. We’ve been inspired and overwhelmed by the outpouring of support from the artists, fans and labels in the Bandcamp community, who rapidly and enthusiastically backed this important cause.

With several hours remaining, we estimate that fans will have bought just over $1,000,000 worth of music today, which is 550% more than a normal Friday (already our biggest sales day of the week). All of our share of that (~12%) goes directly to the ACLU. The other 88% (less transaction fees) goes directly to the labels and artists, more than 400 of whom have pledged to donate their share of sales today as well. They joined a lot faster than we could keep up, but big thanks to Anti-, ATO, Barsuk, City Slang, Epitaph, Father/Daughter, Fat Wreck, Kill Rock Stars, Merge Records, Mexican Summer, Miracle of Sound, Rhymesayers, RVNG, Sub Pop, Four Tet, Neil Gaiman, Lushlife, P.O.S., Speedy Ortiz, and all of the hundreds more. You are all amazing.

Of course we didn’t do this just to raise money: we also hoped to raise awareness. On that front we want to thank everyone who helped spread the word, including our friends at NPR, Spin, Pitchfork, Metal Sucks, Paste, NME, AVClub, Thump, Billboard, Huffington Post, The Stranger, Vogue, the ACLU itself, and yesssss! Daveed Diggs.

We also heard from a few people who were upset, and in sometimes colorful terms told us to stick to selling music. We really like what a guy named Richard Rutherford had to say about this over on our Facebook post, and think it’s a great note to close on:

“The bands you like and the books you read and companies whose products you enjoy are all run by people who hold opinions on how the world should work and how other people should be treated. Some of them are going to make those views more specific than others, but everyone’s got their line-in-the-sand where they’re not going to be able to keep it to themselves any longer. In a world where everything is influenced by political decisions, ‘staying non-political’ actually means defaulting to the status-quo and endorsing what’s happening in the system – expecting people who sell you things to do that, no matter how harmful the system might be to them and things they care about, is unreasonable. This applies to you too, of course – you have every freedom to stop supporting Bandcamp and to explain why you don’t agree with them, but by doing so you are being just as ‘political’ as them – we all are, that’s the point. Pretending that you’re advocating some higher plane of art when you’re really just maintaining the status quo is dishonest and unhelpful. It’s not as if Bandcamp ever even pretended to be apolitical. Their entire business model is a reflection of their social and ethical convictions, which they happily explain every year when they publish their accounts.”

Amen to that and thank you again!

Over 400 artists and labels have joined us in donating their Bandcamp profits today to the ACLU and other organizations in support of immigrants and refugees. We’ve done our best to list them all here, but if you’re a label or artist who will be making a donation, you can let people know by sharing your information in the comments below. Bandcamp will be donating 100% of our share of the proceeds to the ACLU, no matter what you choose to buy, but the labels listed below are making additional donations.

Continue reading “#NoBanNoWall: Over 400 Labels & Artists Join Us in Donating Today’s Profits to the ACLU”

Like 98% of U.S. citizens (including the President), I am the descendant of immigrants—my great-grandparents came to America from Russia and Lithuania as teenagers and worked in sweatshops until they were able to afford to bring the rest of their families over. Most everyone you speak to in this country has a similar story to tell, because we are, in fact, a nation of immigrants, bound together by a shared belief in justice, equality, and the freedom to pursue a better life. In this context, last week’s Executive Order barring immigrants and refugees from seven Middle Eastern countries from entering the United States is not simply immoral, it violates the very spirit and foundation of America.

Contrary to the assertions of the current administration, the order will not make us safer (an opinion shared by the State Department and many members of Congress including prominent Republicans). Christian religious leaders have denounced both the ban, as well as the exception prioritizing Christian immigrants, as inhumane. It is an unequivocal moral wrong, a cynical attempt to sow division among the American people, and is in direct opposition to the principles of a country where the tenet of religious freedom is written directly into the Constitution. This is not who we are, and it is not what we believe in. We at Bandcamp oppose the ban wholeheartedly, and extend our support to those whose lives have been upended.

And so all day today (starting at 12:01am Pacific Time), for any purchase you make on Bandcamp, we will be donating 100% of our share of the proceeds to the American Civil Liberties Union, who are working tirelessly to combat these discriminatory and unconstitutional actions.

As another way of showing solidarity with the immigrants and refugees from the seven banned countries—as well as those impacted by the construction of the Mexican border wall—we’ve compiled a list of albums made by artists from the affected countries (Bandcamp may be incorporated in the United States, but we host artists from every corner of the world). We believe that knowledge and empathy are crucial weapons against fear and intolerance. We hope that, as you listen to these albums, you’ll not only discover some great new artists, but will also gain a further appreciation and understanding for the way music transcends all borders, and remember that, even in the darkest of times, there is more that unites us than divides us.

— Ethan Diamond, Bandcamp Founder & CEO

(Updated: Since our announcement, over 400 bands and labels have volunteered to donate their proceeds to the ACLU and other organizations as well. You can see that list here.)

(Update: Fans bought just over $1,000,000 worth of music during our ACLU fundraiser. Our share, which is ~12% of that amount, was donated to the ACLU.)

Continue reading “Today, Stand with Bandcamp in Support of Immigrants/Basic Human Values”

And now some genuinely great news in an otherwise unremarkable week: every aspect of Bandcamp’s business was up in 2016. Digital album sales grew 20%, tracks 23%, and merch 34%. Growth in physical sales was led by vinyl, which was up 48%, and further boosted by CDs (up 14%) and cassettes (up 58%). Every single one of these numbers represents an acceleration over last year’s growth. Hundreds of thousands of artists joined Bandcamp in 2016, more than 2,000 independent labels came on board (like Dischord, Merge, and Dualtone), and the rate of fan signups tripled. Fans have now paid artists nearly $200 million using Bandcamp, and they buy a record every three seconds, 24 hours a day, 365 days a year.

The record business overall did not fare as well. According to Nielsen, it grew 3% in the U.S. in 2016, while sales of digital albums fell 20%, tracks were down 25%, and physical albums dropped 14%. These declines are not at all surprising given the industry-wide push toward subscription music rental offerings, and indeed as the year came to a close, those services reached a combined 100 million paying subscribers. This milestone is being celebrated by some, but it is not good news for the vast majority of artists, and poses some serious problems for fans, labels, and music as an art form.

As more people subscribe to music rental services, the already paltry rates paid to artists are going down (and no, artists don’t necessarily make it up in volume). But it’s not only artists who are struggling. The companies built solely around subscription music rental continue to struggle as well. Some say the model is simply broken. The success of Netflix is often used as a counterargument, but the music business is not the movie business.

Longer term, if subscription music rental can’t work as a standalone business, then it will only exist as a service offered by corporate behemoths to draw customers into the parts of their businesses where they do make money, like selling phones, service plans, or merchandise. And when the distribution of an entire art form is controlled by just two or three nation-state-sized companies, artists and labels will have even less leverage than they do now to set fair rates, the music promoted to fans will be controlled by a small handful of gatekeepers, and more and more artists will be hit with the one-two punch of lower rates and less exposure. The net effect for music as a whole is worrisome.

Bandcamp provides an alternative to all of this because we feel strongly that an alternative needs to exist. The fact that we continue to grow, and that that growth is accelerating, tells us that many of you agree. We’ll therefore continue to build on a model that compensates artists fairly and puts them in control of their data, gives fans all the convenience of streaming plus the benefits of ownership and still allows them to directly support the artists they love, and works as a standalone business that’s 100% focused on music (we just had our 17th straight profitable quarter, while also increasing our staff by 43% last year). Impending thermonuclear apocalypse notwithstanding, we are incredibly enthusiastic about 2017. At least two of the half dozen things we’ll launch this year will astound you, and one may even cause you to make an unexpected vacation detour. We can’t wait. Thank you for being a part of it!

-Ethan Diamond

P.S. Don’t miss Bandcamp Daily’s Best of 2016.

In light of a recent report that Apple will soon abandon music downloads (later denied, but undoubtedly containing a certain amount of inevitability), we thought we’d take a moment to update you on the state of Bandcamp’s business and our plans for the future.

Bandcamp grew by 35% last year. Fans pay artists $4.3 million dollars every month using the site, and they buy about 25,000 records a day, which works out to about one every 4 seconds (you can see a real-time feed of those purchases on our desktop home page). Nearly 6 million fans have bought music through Bandcamp (half of whom are younger than 30), and hundreds of thousands of artists have sold music on Bandcamp. Digital album sales on Bandcamp grew 14% in 2015 while dropping 3% industry-wide, track sales grew 11% while dropping 13% industry-wide, vinyl was up 40%, cassettes 49%… even CD sales grew 10% (down 11% industry-wide). Most importantly of all, Bandcamp has been profitable (in the now-quaint revenues-exceed-expenses sense) since 2012.

Subscription-based music streaming,* on the other hand, has yet to prove itself to be a viable model, even after hundreds of millions of investment dollars raised and spent. For our part, we are committed to offering an alternative that we know works. As long as there are fans who care about the welfare of their favorite artists and want to help them keep making music, we will continue to provide that direct connection. And as long as there are fans who want to own, not rent, their music, that is a service we will continue to provide, and that is a model whose benefits we will continue to champion. We have been here since 2008 and we mean to be here in 2028. Thank you!

*Bandcamp is not a download store, and we very much embrace the convenience of streaming. When you buy music on Bandcamp, whether that’s in digital or physical form (30% of sales on Bandcamp are for vinyl and other merchandise), you not only get the pleasure of knowing you’re supporting the artist in a direct and transparent way, you also get instant, unlimited streaming of that music via our free apps for Android and iOS, as well as an optional, high-quality download. Your purchase is about direct support, ownership and access, whether that access takes the form of a stream, download, or both. So please consider joining us in never using “streaming” as shorthand for “subscription-based music.” The former is an inevitable technological shift, the latter is an unproven business model.